Trance (2013) [Blu-ray]
Crime | Drama | Mystery | Thriller
From Academy AwardŽ-Winning director Danny Boyle (Slumdog Millionaire) comes an "exhilarating brain-twister" (New York Post)! After a blow to the head during his attempted robbery of a $27 million Goya painting, Simon (James McAvoy, X-Men: First Class), a
fine-art auctioneer, awakens to find that the painting - and his memory - are missing. Forced by his ruthless crime partner Franck (Vincent Cassel, Black Swan) to undergo hypnosis, Simon enters into a deadly love triangle with his seductive hypnotist
(Rosario Dawson, Sin City). As the plot twists, the line between reality and dream becomes blurred in this fast-paced, unpredictable, "sexy and suspenseful" (Empire) thriller.
Storyline: A fine art auctioneer mixed up with a gang joins forces with a hypnotherapist to recover a lost painting. As boundaries between desire, reality and hypnotic suggestion begin to blur the stakes rise faster than anyone
could have anticipated. Written by Fox Searchlight
Reviewer's Note: Reviewed by Casey Broadwater on July 26, 2013 -- Woody Allen famously said, "The heart wants what the heart wants," but what we often forget is that everything we attribute to the "heart" is actually a product of
the material brain-its twisting neural pathways, its reserves of memory, its manufactured construction of the self. And the brain can easily be fooled or otherwise manipulated, by ourselves and others, by drugs or deep states of altered consciousness. Our
identities and desires are far more malleable than we think. That's the overarching theme of Trance, the latest film from Danny Boyle, the high-energy stylist of, most recently, 127 Hours and Slumdog Millionaire.
The project was on Boyle's back burner for years-it's based on a script by Joe Ahearne that was turned into a British TV movie in 2001-and he finally brought it into production in the middle of his duties as creative director of the 2012 London Summer
Olympics. Trance does give the impression of a director blowing off some creative steam. If the Olympic opening ceremony was highly regulated, family-friendly-by-mandate, and targeted-at-the-broadest-possible-audience, Trance is the polar
opposite-a free-wheeling, decidedly adult psycho-thriller that will only appeal to those who enjoy fractured, hard-to-follow narratives. As such, it's inherently a love-it-or-hate-it affair, and even those who have long trusted Boyle's filmmaking
instincts implicitly may question some of Trance's stylistic and narrative turns.
The film begins, at least, in the familiar art-heist territory of Entrapment and The Thomas Crown Affair. X-Men: First Class' James McAvoy plays Simon Newton, an auctioneer for "Delancey's"-spelled out in the Sotheby's font-which is
about to commence bidding wars on the Goya painting Witches in the Air. Simon's opening voiceover narration gives a run-down of how increasingly sophisticated art thieves must be to keep pace with evolving security technologies, but heist-master
Franck (Vincent Cassel) and his thugs get by mostly on brute force when they burst in, tear-gassing the room and leveling shotguns at the security guards who've been taught that "no piece of art is worth a human life."
Simon, as it turns out, is actually an inside man, tasking with hiding the painting-a hefty gambling debt has driven him to assist in the theft-so it's initially confusing when he zaps Franck's neck with a taser, prompting the comically unfazed criminal
mastermind to bludgeon him in the head. When Simon wakes up later from a brain surgery and a medically induced coma-perceived as a hero for trying to stop the thieves-he goes home to find that Franck and his goons have completely trashed his apartment
looking for the $26 million painting. He would gladly tell them where it is to avoid the fingernail-pulling tortures they inflict on him, but there's one problem; he simply can't remember. He's got a specific sort of amnesia-or does he, you might
ask-and Franck isn't about to accept "oops, I forgot" as an answer.
Enter hypnotherapist Elizabeth Lamb (Rosario Dawson), who is hired under false pretenses-Simon tells her he needs help finding his "keys"-but who quickly susses out the real dilemma. What's more, she unexpectedly ingratiates herself with the band of
thieves, sleeping with Franck and using sexual jealousy as a central aspect of Simon's ongoing memory treatment. Is she just looking to spice up her dull clinician's life? Is she in it for the money? Or is there some deeper motivation? To reveal anything
more about the specifics of the plot would be criminal, but suffice it to say that Trance has a looping, time-skipping, smashed-to-shards story that can only be pieced together in hindsight. Even then, there's some ambiguity`about the order and
was-or-wasn't-it-real nature of certain events. I think it all fits together, but this is one of those movies where a second-or third- viewing is almost mandatory. The question, then, is whether or not Trance is worth a second or
third viewing.
I'm going to conditionally say yes, the condition being that you really do have to enjoy these kinds of chronology-adverse thrillers and the complications that inevitably come with them-the general narrative confusion and the difficulty of connecting with
characters whose motivations are so well- concealed that it takes some significant end-of-the-film exposition to properly reveal them. Some of Trance's turns are ludicrous, and the movie's intense, candy-colored cinematography-with its dutch angles
and warped images-speaks to a certain amount of neo-noir style over substance. It's gorgeous, but considering the subject matter, there's unfortunately not much here to latch onto in terms of real ideas about identity and consciousness, free will and
memory. The best way I can think to describe Trance is that it's basically Eternal Sunshine of the Spotless Mind, if Eternal Sunshine were a crime thriller with little emotional or mental engagement. It's essentially a glossy piece of
pulp fiction with a semi-clever hook of a premise.
Trance may be a flight of creative fancy for Boyle, but the commanding presence of its leads does help keep it grounded. Though McAvoy's character is the least believable-he's perhaps a bit too confident for a man in his position-the actor brings a
dimensionality to the indebted auctioneer, effectively fuzzing the good guy/bad guy distinction. Likewise, Vincent Cassel might be somewhat typecast as a criminal genius, but hey, he's great at playing these sorts of slippery, eel-like parts. What's most
surprising about the film is how Elizabeth slowly emerges as the main character, playing these two men off of one another. Rosario Dawson is perfect-steely and vulnerable, sultry and ice-cold. If the film were made in the late '80s, I can imagine
Sharon Stone in the role, but maybe that's only because Dawson totally one-ups Stone's famous Basic Instinct leg-crossing scene. I'll just say this: Simon has a fetish for the body hair-less beauties of Renaissance paintings, and Elizabeth is
willing to use this to her advantage.
If Boyle tested audiences' capacity for pain with his nerve-splitting 127 Hours, in Trance, he's out to fry our brains, making us question everything we think we know about the film's characters and their motivations. Some folks will be into
this-and the film definitely has its pleasures- while others might find it a style-over-substance Möbius strip, so circular and insular that it's hard to properly enjoy. Personally, I found it fun but un- engaging on any level besides the superficial
thrills and gorgeous cinematography. 20th Century Fox's Blu-ray release looks and sounds great, though, and comes with some fine special features, so if you're a longtime Danny Boyle fan-and you enjoy twisting, looping stories-it's ultimately a worthwhile
purchase.
[CSW] -3.2- Through the convoluted plot line, it is always fun. The tortured protagonist brings a humor and passion that remains true throughout. The exceedingly loud music persists to put the viewer in a state of trance to mirror that on screen. The boss
and the hypnotherapist are great as well, each bringing a unique brand of sensuality. In the end, all will be explained even that which has fooled you and that which you suspected all along. And you will be happy to have been along for the ride. Clearly
not this director's most important film, but a memorable one nonetheless. There's nothing else like it. Be patient and enjoy it.
[V4.5-A4.5] MPEG-4 AVC - No D-Box motion codes were available at the time of this rental although they are available now.
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